| Code | Title | Term | Actions |
|---|---|---|---|
| FM1010 | MODERN FILMS & THEIR MEANINGS | Fall 2020 | View Syllabus |
| FM2088 | SCIENCE FICTION AND FANTASY ON SCREEN | Fall 2020 | View Syllabus |
| FM2092 | WOMEN AND FILM | Fall 2020 | View Syllabus |
| FM2091B | TOPICS IN FILM GENRES: THE COMEDY | Spring 2020 | View Syllabus |
| FM3027 | FILM THEORY & CRITICISM | Spring 2020 | View Syllabus |
| FM3091 | TOPICS: RACE AND CINEMA | Spring 2020 | - |
| CL3048 | SHAKESPEARE & FILM | Fall 2019 | View Syllabus |
| FM1010 | MODERN FILMS & THEIR MEANINGS | Fall 2019 | View Syllabus |
| FM2083 | SCORSESE & KUBRICK | Fall 2019 | View Syllabus |
| FM3048 | SHAKESPEARE & FILM | Fall 2019 | View Syllabus |
| FM1010FB2 | FILMS & THEIR MEANINGS: FEAR AND FANTASY | Spring 2019 | View Syllabus |
| FM2091 | TOPICS: SCIENCE FICTION & FANTASY: OTHER WORLDS ON SCREEN | Spring 2019 | View Syllabus |
| FM3027 | FILM THEORY & CRITICISM | Spring 2019 | View Syllabus |
| RS0001FB2A | REFLECTIVE SEMINAR | Spring 2019 | - |
| CL3080 | BRECHT & FILM | Fall 2018 | View Syllabus |
| FM2090 | FILM NOIR | Fall 2018 | View Syllabus |
| FM2092 | WOMEN & FILM | Fall 2018 | View Syllabus |
| FM3080 | BRECHT & FILM | Fall 2018 | View Syllabus |
| CL3034 | PARIS REEL & IMAGINED: PERSPECTIVES ON THE CITY OF LIGHTS | Spring 2018 | - |
| FM2080 | ORSON WELLES & HIS INHERITORS | Spring 2018 | - |
| FM3034 | PARIS REEL & IMAGINED: PERSPECTIVES ON THE CITY OF LIGHTS | Spring 2018 | - |
| CL3048 | SHAKESPEARE & FILM | Fall 2017 | - |
| CL3069 | THE AESTHETICS OF CRIME FICTION | Fall 2017 | - |
| FM2091 | TOPICS: WES ANDERSON:CHILD'S IMAGINATION IN CINEMA | Fall 2017 | - |
| FM3048 | SHAKESPEARE & FILM | Fall 2017 | - |
| FM3069 | THE AESTHETICS OF CRIME FICTION | Fall 2017 | - |
| FM2091 | TOPICS: SCI-FI & FANTASY: OTHER WORLDS ON SCREEN | Spring 2017 | - |
| FM3027 | FILM THEORY & CRITICISM | Spring 2017 | - |
| FM3072 | GERMAN CINEMA: FROM VAMPIRES TO HITLER & BEYOND | Spring 2017 | - |
| FM2083 | SCORSESE & KUBRICK | Fall 2016 | - |
| FM3073 | ASIAN CINEMA | Fall 2016 | - |
| CL1025 | THE WORLD, THE TEXT, & THE CRITIC I | Fall 2015 | - |
| CL3048 | SHAKESPEARE & FILM | Fall 2015 | - |
| FM2090 | FILM NOIR | Fall 2015 | - |
| FM3048 | SHAKESPEARE & FILM | Fall 2015 | - |
| CM3052 | RHETORIC & PERSUASION | Summer 2015 | - |
| CL3069 | THE AESTHETICS OF CRIME FICTION | Spring 2015 | - |
| FM3027 | FILM THEORY & CRITICISM | Spring 2015 | - |
| FM3069 | THE AESTHETICS OF CRIME FICTION | Spring 2015 | - |
| FM3073 | ASIAN CINEMA | Spring 2015 | - |
| CL1025 | THE WORLD, THE TEXT, & THE CRITIC I | Fall 2014 | - |
| CL3048 | SHAKESPEARE & FILM | Fall 2014 | - |
| FM3048 | SHAKESPEARE & FILM | Fall 2014 | - |
| FM3072 | GERMAN CINEMA | Fall 2014 | - |
| FM2083 | SCORSESE & KUBRICK | Summer 2014 | - |
| FM3027 | FILM THEORY & CRITICISM | Spring 2014 | - |
| FM3091 | TOPICS:FANTASTIC CINEMA AND ITS SOURCES:FROM MÉLIÈS TO LYNCH | Spring 2014 | - |
| CL1025 | THE WORLD, THE TEXT, & THE CRITIC I | Fall 2013 | - |
| CL3080 | BRECHT & FILM | Fall 2013 | - |
| FM1010B | FIRSTBRIDGE: CAPTURING THE PAST HISTORICAL CINEMATIC LENSES | Fall 2013 | - |
| FM3080 | BRECHT & FILM | Fall 2013 | - |
| RS0001F | REFLECTIVE SEMINAR | Fall 2013 | - |
| CM3052 | RHETORIC & PERSUASION | Summer 2013 | - |
| CM4000 | TOPICS: FILM NOIR | Summer 2013 | - |
| FM2090 | FILM NOIR | Summer 2013 | - |
| EN2020E | WRITING & CRITICISM | Spring 2013 | - |
| FM1010 | FIRSTBRIDGE 2: FILMS & THEIR MEANINGS | Spring 2013 | - |
| FM3027 | FILM THEORY & CRITICISM | Spring 2013 | - |
| RS0001C | FIRSTBRIDGE 2: REFLECTIVE SEMINAR | Spring 2013 | - |
| CL1025 | THE WORLD, THE TEXT, & THE CRITIC I | Fall 2012 | - |
| CL3048 | SHAKESPEARE & FILM | Fall 2012 | - |
| FM1010 | FILMS & THEIR MEANINGS | Fall 2012 | - |
| FM3048 | SHAKESPEARE & FILM | Fall 2012 | - |
| CL3069 | THE AESTHETICS OF CRIME FICTION | Summer 2012 | - |
| EN2020A | WRITING & CRITICISM | Summer 2012 | - |
| FM3069 | THE AESTHETICS OF CRIME FICTION | Summer 2012 | - |
| CL1025 | THE WORLD, THE TEXT, & THE CRITIC I | Fall 2011 | - |
| FM1010A | FILMS & THEIR MEANINGS | Fall 2011 | - |
| FM1010B | FIRSTBRIDGE: FILMS & THEIR MEANINGS | Fall 2011 | - |
| FM3087 | PARIS CINEMA | Fall 2011 | - |
| FR3087 | PARIS CINEMA | Fall 2011 | - |
| RS0001G | REFLECTIVE SEMINAR | Fall 2011 | - |
| EN2020B | WRITING & CRITICISM | Summer 2011 | - |
| ES3000 | PARIS REEL AND IMAGINED | Summer 2011 | - |
| FM3000 | PARIS REEL AND IMAGINED | Summer 2011 | - |
| EN110D | COLLEGE WRITING | Spring 2011 | - |
| FM390C | DS: THE WORLD BETWEEN WAKING AND SLEEPING | Spring 2011 | - |
| FM390A | DS: INDEPENDANT STUDY | Fall 2010 | - |
| TN590A | DS: WOMEN IN EGYPT. CINEMA | Fall 2010 | - |
| TN590I | DS: SUBTLNG IN MEX. NAT. CINEMA | Fall 2010 | - |
| EN220A | WRITING AND CRITICISM | Summer 2010 | - |
| EN220B | WRITING AND CRITICISM | Summer 2010 | - |
| FM300 | TOPICS: BRECHT AND FILM | Spring 2010 | - |
| FM390F | DS: THE COLLECTIVE UNCONSCIOUS | Spring 2010 | - |
| TN590D | DS: MYTH & TNLN | Spring 2010 | - |
| EN390A | DS: LITERATURE & TRAUMA | Fall 2009 | - |
| FM390D | DS: TOPICS IN FILM THEORY & CRITICISM | Fall 2009 | - |
| TN590B | DS: MYTH & SURREALISM | Fall 2009 | - |
| EN110 | COLLEGE WRITING | Summer1 2005 | - |
| EN110D | COLLEGE WRITING | Spring 2005 | - |
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