TOPICS VARY BY SEMESTER
Course Master:
Term:
Spring 2027
Discipline:
CM (Communications)
Credits:
4 credits
Type:
CCD
Level:
Undergraduate
Can be taken twice for credit?:
Yes
Pre-requisites:
None
Co-requisites:
None
TOPICS VARY BY SEMESTER
This course explores music and sound from an interdisciplinary perspective, considering its techniques and technologies, the social and political aspects of sound/music production and consumption, and the phenomenology of listening and acoustics, among other topics. This class combines hands-on practice-based projects, core theoretical texts, and visits to concerts, gallery shows, and other sound and music related events to introduce students to the core questions of sound studies and to cultivate basic skills for making sound art/digital music. Practice-based lessons cover: speakers, various mics, deep listening, soundwalks/sound in space, field recording, and digital audio editing. This is coupled with readings and discussions of contemporary sound art and new music, race and gender in sound and music, and the politics of listening. Students will produce a final project in sound/music using the critical and technical skills developed in the course and will be prepared for future projects and more advanced courses in sound/music. No prior training in music is needed for this class, however there is an extra course fee of 50 euros to cover visits and materials.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 10:35 | 11:55 | G-009 |
Friday | 10:35 | 11:55 | G-009 |